Saturday, January 30, 2010

“Wham, Bam Thank You NAMM”


"Trade shows" are a bit like cruise ships that take place on dry land. Groups of people move about like schools of fish, occupying a limited amount of space in a convention center that functions like an ocean liner. They also take over all the nearby hotels and dining facilities within reach. Wearing name-tags and smiles, they spend each day shaking hands, handing out business cards, attending panels, and visiting booths displaying new products and brochures.

It seems every industry, from computer software to construction materials, from shoes to psychology, holds one of these events. And while most resemble large gatherings of average, everyday folks, there are a few which could be described as full on freak-shows, theaters of the absurd and proof of life on other planets. Falling into this latter category would be the convention for comic books (ComicCon), the Adult Entertainment Expo(AAE), and the one from which I’ve just returned, National Association Of Music Merchants (NAMM).

NAMM is a migration of odd birds flocking to sunny Southern California for the Winter. It takes place for four days each January at the Anaheim Convention Center, drawing characters from all walks of the music industry, all over the United States and the rest of the world. While its primary purpose is to connect gear manufacturers with buyers from music stores, schools and other institutions, it wouldn’t be the country’s largest music convention without some of the pomp and overall excess associated with the our industry.

The key players at NAMM are the ‘reps’ who tend to look like the epitome of 'normal,' probably not much different in appearance than attendees of any other convention. Ranging in age from twenties to sixties, some have suits and ties, while many are dressed ‘business casual,’(trousers, jeans, dress shirts etc...). They keep their operations running, conduct business transactions for their companies and set up and tear down their booths. Although their jobs represent the very purpose of this convention, these folks are overshadowed by the colorful flare of characters from the music scene, musicians and otherwise.

A-list rock stars, D-list rock stars and even more non-rock stars pretending they are rock stars troll the convention floor. Trailing alongside or behind are friends, hangers-on, staff, groupies and some who just want your attention. Wannabes abound, from goth superstar Marilyn Manson lookalikes to deadringers for the late Jimi Hendrix. Groups of twenty year old boys who look like Warrant or Poison in 1989 are there, along with rappers, hipsters along with those representing glam, punk, country, metal, ska, blues, new age and every possible look that's ever been connected music, a moving encyclopedia of music fashion music of the last 50 years.

Then there are the NAMM girls. Among the many normal looking ones are those wearing fishnets, tights, cocktail dresses, mini skirts. It is especially hard not to notice the girls in swim suits, hired by select companies to give their booths the feel of a ‘bikini car wash.’

As I'm doing a signing for Seymour Duncan pickups, I'm trying to give each fan my full attention- a look in the eye, handshake, smile and autograph. But I have to admit, it is hard not to be thrown off by the distractions.

In the distance, I hear a great, unknown jazz guitarist jamming at a nearby booth, demoing pedals. He sounds good. But he's being blasted out by this idiot across from me, some shred monkey who's sweating up a storm, playing too loud, not connecting with any listeners, acting like he's onstage at Donington even though people just pass by like he's not even there. "No one cares buddy!" I think to myself. Whoa, here comes legendary funk bassist Bootsy Collins, he looks like a cross between a seven foot tall NBA star and a green clad Liberace. And was that just Gene Simmons that walked by? No, just one of several make up clad Gene impersonators lurking about promoting products that the real Gene is endorsing. And that guy over there looks just like Slash. Get a life dude, find your own look and uh…wait a second,. That IS Slash. The bodyguards surrounding him are hustling him towards the Gibson booth where he’s doing a signing. Oh, here come's Mick from Slipknot, who I know from NAMM. He and a few others I run into regularly are like 'NAMM buddies.' He's wearing his mask, it reminds me of a scene in 'Pulp Fiction.' He's next up to sign. We high five each other and take pictures together for the Seymour Duncan reps. Now my manager is hauling me off to my next event.

As we rush through the crowd, ordinarily dressed sales reps seem to disappear amongst the colorful melee. They're like tiny goldfish floating alongside an array of eel, seahorses and other deep sea creatures... (To be continued)

Wednesday, January 27, 2010

Update

People Of Earth (thanks Conan for that line):  here is a quick update on what is going on with me.      

I am thrilled to announce that the Alex Skolnick Trio will be supporting Rodrigo and Gabriella on their upcoming US run. It looks like I will be sitting in nightly with Rod and Gab, as well. 

This means, unfortunately, that I won't be out with Testament on the Megadeth run of dates in March  (dates that were added only recently, in light of the American Carnage tour being postponed). While I feel bad for anyone disappointed I won't be there, I respect the decision to book these dates and ask for the fans' understanding with this as the trio has had March on hold for a long time. Glen Drover, who is filling in for me, will do an awesome job and I encourage everyone to go see the show regardless.

 Although no rescheduled Carnage dates have been booked yet, I'm awaiting word (as we all are), pulling for Slayer's Tom Araya to get well soon and looking forward to resuming that tour as planned.

Also, for those who have been asking: I will not be taking part in the  TSO Beethoven's Last Night Tour at this time. I appreciate the support and encourage everyone to see it, as it promises to be an excellent show with or without yours truly. 

   I understand it can get confusing keeping track of me and my multiple projects/genres (believe me, I have my own challenges with this, lol). But I'm happy to announce that we are redesigning alexskolnick.com in a way that's going to make things much easier to keep track of. The new design will happen soon.   
          
  If you are able to come check out the RyG dates with me and Matt Nathan please come by and say hello after the show.  See you soon, thanks for the support and a great 2010 to everyone.   Cheers! 

       Alex

Wednesday, January 13, 2010

The XBox Factor


For years, on tour buses and backstage, I was tortured by home video games. The mechanical music would drill into my cranium as if I were the subject of an inhumane scientific experiment like the character in the Stanley Kubrick film “A Clockwork Orange” (also named Alex). Since then, I’ve bemoaned the notion of our youth wiling away the hours with a joystick instead of a musical instrument, book, saucepan, paintbrush, or other creative device. I've remained convinced that these games would serve as a demarcation line symbolizing the descent of modern society. In short, I’ve never been much of a ‘video game’ person.

So how is it that I, Alex N. Skolnick, goal oriented creative person with a focus on productivity and a strict work ethic, have just purchased my very own Xbox 360?

It started on my most recent tour, where all the buses were equipped with Xbox’s. I noticed that, thanks to technology, the games have gotten much more more sophisticated and less annoying than their predecessors from the early 90's. In some cases, they are even more visually detailed than the twenty-five cent arcade games of my youth which I enjoyed playing, such as Pac Man and Defender. On this tour, you had to learn how to work the Xbox, which was the resident DVD player, CD player and gaming consul for each bus. It also has the capability of providing instant access to your Netflix subscription. By the end of the tour, as a gift to myself, I decided I had to own one.

Several guys on our tour would pull their hair out in frustration over this thing, myself included. We were rescued by a guy from another bus who had had to learn how to use one at home out of, in his words, 'dire necessity." He's the father of three young boys.

The hand-held remote resembles a tiny spaceship or robot and has an array of track wheels, buttons and triggers, some of which light up. It is very easy to make a mistake. There were nights after a show when, relaxing with our late night beer and wine, an accidental push of a button would interrupt a crucial scene as we were watching a ‘Curb Your Enthusiasm’ DVD. This would prompt a chorus of aggravated moans and dirty looks cast towards the perpetrator, his face growing more red than the button on the far right of the controller as he tried in vain to fix the problem. But once you get over the hurdle of this controller, you feel like you’re on top of the world.

I still believe in books and music over video games. But I’m at the point where those activities, while very constructive and enlightening, are not always recreational. When listening to good music, for example, I’m inspired to compose. When reading a good novel, I’m inspired to type. This is a wonderful problem to have. But sometimes its good to just clear your mind and do something that is purely a fun waste of time. The Xbox is perfect for this. Besides, it looks really great in my apartment.

I have to hand it to Microsoft for this creation. I'm definitely an Apple person when it comes to computers and accessories, but Mr. Gates and company really scored with this one, on the level that Apple did with the iPod. Some friends tried to steer me towards the Play Station or Wii, but I resisted. There was simply no other option besides the Xbox, which I purchased at the new 24 hour "Best Buy" store in Manhattan, buzzing with people, TV's, electronic beeps and clicks, blaring music and lights at 10:30pm on a Tuesday night.

With me was someone whom I'll call Jackie. We share a similar taste in books and art. An NYU honors student with a high grade point average, she is quite the opposite of the degenerate home video game junkies of my past, stoner couch potatoes whose daily lives were reduced to a bag of pot, a twelve pack of Budweiser and spending all day in front of the screen playing 'Donkey Kong.' I'm sure that mentality exists in dorms and apartments everywhere, but there are many others like her: creative, literate, artistic young people who are able to shoot aliens or commit grand theft on screen in moderation, with a sense of humor and fun and without losing their higher ambitions or their appreciation of more sophisticated activities. These games are something they’ve grown up with, along with the internet, MP3 players and text messages and they fit into their lives without taking them over.

Jackie suggested I pick up a copy of ‘Halo 3." I've enjoyed playing it so far, even though I suck. Other friends are threatening to come over and 'whoop my ass' at it. I'm also planning to have people over to share in the part of my purchase that was most exciting: an entire kit for the game 'Rock Band II.'

Why would someone like me, that actually plays guitar for a living, want to own Rock Band or Guitar Hero? For one thing, it's to see what this experience is like. After all, hundreds of millions have purchased these games which simulate live music performance, making it a big factor in my industry. I need to see what it's all about.
Also, a song I wrote many years ago, on a tiny four track cassette recorder in my parents' garage, is now available on RockBand II. It's called "Souls Of Black."

But I'd say the real trigger was this: I saw a VHI special on the new Beatles Rock Band, game, designed with creative input from Paul McCartney, Ringo Starr, and the kin of George Harrison and John Lennon, which blew me away. There has never been a game like this one, which recreates key moments and places in Beatles history including Liverpool, Shea Stadium, the "Let It Be" rooftop concert and recording sessions with perfect detail, right down to the carpet and mixing console at Abbey Road Studios. A lifelong Beatles fan, I had to have this game and the little guitar controller that came with it.

When I told him my father my plans over the phone, the conversation went something like this:

“You’re buying a machine that comes with a toy guitar and lets you pretend you’re playing guitar on stage in front of an audience?”

“That’s right.”

He pondered this for a moment. “Do you really need this thing?”

Friday, January 1, 2010

Ode To The Road Crew


Tattooed, trash talking techs
Gritty warriors with hearts of gold

Forsaking a life of normalcy
For the grind of the open road


Black clad angels with flashlights
Subsisting on pizza and beer

Whiskey, fries and cigarettes,
Broken sleep and broken gear


Fixing anything that can go wrong
For no task are they unable

Speakers blown and drunken fans to be bounced
Changing strings and swapping cables


Running towards an on-stage crisis
Like firefighters to a burning building

As I stand there helpless, guitar in hand
My ego swiftly wilting


In younger days before ever on stage
My problems seemed to last forever

If only I'd had my own road crew show up
To duct tape and super glue my life together